“What Brings You Back” feels like Lana Crow at her most open and unguarded. Rather than delivering answers or declarations, this single gently asks questions—about fear, loss, faith, and connection—and […]
Listening to Somnorine feels less like putting on an album and more like slipping into someone else’s subconscious. From the outset, it’s clear that Skylarka isn’t interested in escapism for
After more than a decade away, Highroad No. 28’s return doesn’t feel nostalgic or tentative. “C.Esp” arrives with quiet confidence, carrying the weight of lived experience rather than the urgency
Listening to Songs from the Underground, I get the sense that this album has been patiently waiting for the right moment to exist. Written during Gregg McKella’s busking years in
Listening to Class 2 Rapids, I get the feeling Robbie Rapids isn’t interested in neat categories or tidy expectations. This album feels more like a long, winding journey than a
“An Eerie Feeling” does exactly what it promises, and for me, that honesty is part of its strength. This isn’t a track trying to grab you by the collar or
With “The Circle,” Mad Morning sound like a band fully aware of the moment they’re in—and unwilling to soften the message. Following the impact of their debut single “Painkiller,” the
With “Shade of My Shadow,” Qymira doesn’t simply release a new single—she unveils a convergence point for years of artistic ambition. Out November 2nd via QiiA Media, the track serves
With “Edge of the World,” Brian Hunsaker delivers what feels like a defining moment in his solo catalog. Marketed as his heaviest melodic metal single to date, the track lives
Listening to Eat My Magic / Drink My Wonder, I get the sense that this project isn’t just a mashup for convenience or nostalgia. It feels more like a closing
