The journey to aespa’s debut album has been nothing short of chaotic. Rumors about their first full-length project have circulated since 2021, just a year after their debut with “Black Mamba.” However, these whispers were repeatedly hushed in favor of a series of mini-albums with fluctuating success. Last year, when it seemed like the group was finally ready to release an LP, internal turmoil at SM Entertainment caused their album plans to falter. But now, after much anticipation and delay, aespa is finally ready to present a more comprehensive statement with “Armageddon.” Although it only differs by one song from their 2022 release “Girls,” “Armageddon” carries with it the weight of high expectations, both due to its prolonged gestation period and the group’s demonstrated quality. Fortunately, for the most part, the album rises to the occasion.
Throughout “Armageddon,” the four-piece group embarks on a narrative journey from insecurity and uncertainty to newfound confidence. In tracks like “Mine,” they reflect on the fear and doubt that plagued their upbringing, symbolized by a “fake portrait” in a “broken mirror” that threatened to engulf them. However, by the song’s end, they defiantly declare their refusal to bow their heads any longer, standing tall in their newfound strength. “Prologue,” a lilting pop waltz, further emphasizes their growing comfort with forging their own path, urging listeners to resist the urge to compare their lives to others in our social media-driven world. Similarly, “Live My Life” brims with resolutions to live life on their own terms, asserting that each member is the protagonist of their own story.
“Armageddon” kicks off with a series of confident tracks that epitomize aespa’s prowess in experimental pop. “Supernova” exudes both high fashion and gritty allure, blending revving sound effects with poised synths. The title track maintains this dynamic, seamlessly transitioning between softer moments and assertive beats. Meanwhile, “Set The Tone” exudes a sense of swagger, serving as the perfect anthem for a triumphant entrance, brimming with declarations like “We set the tone / Music on where we go / Crazy beat drum.”
However, as the album progresses, it ventures into more accessible sonic territory with mixed results. “Bahama” offers a breezy, summery vibe as the group sings cheerfully about a trip to the titular island, making it an instant addition to any summer playlist. On the other hand, “Licorice” strikes a balance between accessibility and experimentation, showcasing aespa’s artistry while aiming for broader appeal.