Arnab Sengupta’s fifth studio album, What Goes Around Comes Around, is not just another collection of songs—it’s a quietly profound statement from an artist who has clearly spent decades in deep musical and philosophical exploration. Based in Bangalore, India, Arnab is known for his genre-spanning work and thoughtful songwriting, and this latest album solidifies his place as a masterful composer, storyteller, and musician.
Right from the first track, it’s clear that this is not music trying to grab attention—it’s music that deserves it. Each of the eight original songs is rooted in jazz, swing, and soul, but they transcend genre in their emotional clarity and lyrical richness. The album is meditative rather than showy, thoughtful rather than flashy. It feels like a conversation with a wise friend—one who listens more than they speak, but when they do speak, it matters.
Arnab’s vocals are understated yet captivating, carrying a warmth and calm that draws the listener inward. He doesn’t rely on vocal theatrics—instead, he leans into sincerity. His voice, paired with his skill as a multi-instrumentalist and composer, creates a sound that’s both delicate and strong, fragile yet grounded.
Contributing to this project is a team of top-tier international musicians who elevate the album’s arrangements with subtle brilliance. Yoshiki Yamada on bass, Bruno Werner on drums, Wagner Barbosa on saxophone, Guilherme Andrades on flute, and Rafael Bissacot on guitar and production each bring a layer of finesse that enriches the album’s sonic palette.
The ensemble works in perfect harmony with Arnab’s vision—not overpowering it, but enhancing it. The result is a cohesive sound that feels organic and alive, with every note placed with care and intention. There’s a palpable sense of unity among the players, one that likely stems from shared respect for the music and for Arnab’s leadership as a composer and collaborator.
One of the album’s greatest strengths is its lyrical content. Each song is like a small window into Arnab’s internal world—reflective, personal, and deeply human. Rather than tell a single narrative, What Goes Around Comes Around offers a series of emotional snapshots: moments of realization, self-enquiry, and quiet resilience. These are the kinds of insights that don’t come from theory, but from experience.
This is not an album that spells everything out. It asks the listener to lean in, to reflect, to sit with what’s being said—and often, what’s not. It rewards attention, much like a well-written poem or a carefully constructed painting. The songs don’t rush; they unfold.
What Goes Around Comes Around is Arnab Sengupta’s third studio release in just four years, and his fifth overall in a ten-year span. That kind of output, especially at this level of quality and craft, is rare. This album feels like the culmination of everything Arnab has learned over his long and varied career. It’s clear he’s found a voice that is entirely his own—a blend of technical mastery and soulful expression.
This is music for people who are seeking more from their listening experience—more meaning, more nuance, more connection. It’s an album that doesn’t just play in the background, but lingers long after it ends.
In What Goes Around Comes Around, Arnab Sengupta delivers a body of work that is both intimate and expansive. It’s a mature, soulful, and beautifully realized collection of songs that reflect an artist at the height of his creative powers. Whether you’re drawn to the intricate musicianship, the lyrical poetry, or the meditative atmosphere, this album has something to offer anyone willing to listen with intention. This isn’t music that demands your attention—but it absolutely deserves it.
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